In ancient China’s values, we believe the only way to get what we desire is to fight for it.

There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world, even the season al changes, as unpredictable, and they sought through various means, to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or unveiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.

Those who believe that drama evolved our of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances, and when the entire community did not participate, a clear division, was usually made between the "acting area" and the "auditorium". In addition, there were per formers, and since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mined the desired effect—success in hunt or battle, the coming rain, the revival of the Sun —as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory traces the theater's origin from the human interest in storytelling. According to this view, tales(about the hunt, war, or other feats)are gradually elaborated at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

What does the passage mainly discuss?

A．The origins of theater

B．The role of ritual in modern dance

C．The improtance of storytelling

D．The variety of early religious activities

There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world, even the seasonal changes, as unpredictable, and they sought, through various means, to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.

Those who believed that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances, and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium". In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rite~, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect--success in hunt or battle, the coming rain, the revival of the Sun--as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory traces the theater's origin from the human interest in storytelling. According to this view, tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds

What does the passage mainly discuss? ______

A．The origins of theater.

B．The role of ritual in modern dance.

C．The importance of storytelling.

D．The variety of early religious activities.

There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world, even the seasonal changes, as unpredictable, and they sought through various means, to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided mate rial for art and drama.

Those who believed that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances, and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium". In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect - success in hunt or battle, the coming rain, the revival of the sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory traces the theater’s origin from the human interest in storytelling. According to this view, tales ( about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

What does the passage mainly discuss?

A．The origins of theater.

B．The role of ritual in modern dance.

C．The importance of storytelling.

D．The variety of early religious activities.

听力原文： There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning,, human beings viewed the natural forces of the world -- even the seasonal changes -- as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.

Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used, furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium". In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect -- success in hunt or battle, the coming rain, the revival of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.

Another theory traces the theater's origin from the human interest in storytelling. According to this theory, ancient stories (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.

Which of the following is the most widely accepted theory about the beginning of drama?

A．Drama came from seasonal changes.

B．Drama originated from ritual.

C．Drama evolved from stories.

D．Drama came from natural forces.

阅读理解：根据文章内容，完成选择题。

WHY VOLUNTEER?

Volunteering is a great way to get work experience, and may be one of the most valuable experiences of your life. You learn new skills by trying new jobs. Better yet, you can meet people who can give you guidance and possibly help you to find a paid job later on. Employers will be impressed that you took the initiative to learn new things. You can learn how a charitable organization works. Best of all, you will be taking action to promote what you think is important and probably be helping someone else along the way.

Instead of considering volunteering as something you do for people who are not as fortunate as yourself, begin to think of it as an exchange. Consider that most people find themselves in need at some point in their lives. You may be the person with the ability to help today, but tomorrow you may be someone who needs others' help. Even now you might be on both sides of the service cycle: maybe you are a tutor for someone who can't read, while last month the volunteer ambulance corps rushed you to the emergency room. Volunteering also includes “self-help.” So if you are active in your neighborhood crime watch, your home is protected while you protect your neighbors' homes, too. It's a double win: your community or cause benefits from your work and you benefit from your experiences. In a word, adding your effort to the work of others makes everyone's lives better.

1. After you have helped others, you might{A; B; C}.

A. get guidance from someone else and maybe get a job.

B. feel that you're not as fortunate as others.

C. feel that you are special.

2. What is the meaning of the word “initiative” in paragraph1? {A; B; C}

A. benefit

B. positive power

C. energy

3. Volunteering is a great way to get {A; B; C}.

A. a lot of money to become rich.

B. work experience and learn new skills.

C. pride in daily life.

4. When we help others we internally(本质上){A; B; C}

A. help ourselves.

B. benefit from others.

C. get something different in life.

5. By volunteering, we can make{A; B; C}.

A. you protect your neighbors' homes.

B. the volunteer ambulance corps rushed you.

C. one's life easier and happier."