松铺厚度＝压实厚度×松铺系数。（)A．正确B．错误

We know from the passage that__________

A．French kings and queens ordered people to build another buildings as their palace home in 1350

B．many treasures were brought into the Louvre in 1190

C．Francis I came into power in l515 and damaged some buidings

D．some works of art in the museum have been collected from man Y countries

() emperors lived and ruled from the palace where the Palace Museum is.

A. 24

B. 25

C. 26

D. 22

ge, choose the best answer to each question. Answer all questions following the passage on the basis of what is stated or implied in the passage.

One of the biggest questions facing the art world today is the dilemma over the repatriation of cultural treasures. Although the subject has not been widely noted by the general public, in recent decades museums and art dealers have repeatedly faced off against the representatives of nations and ethnic groups whose cultural legacies have been robbed by the rapacious collecting of these so-called art experts. Advocates of repatriation have argued that cultural treasures should be returned to their nations of origin, both because of basic fairness and because the artwork and cultural artifacts in question are best understood within their local context.

Several prominent museums, most notably the British Museum in London and the Louvre in Paris, have defended themselves on the grounds that they can better protect and preserve these cultural treasures than can the developing nations and impoverished ethnic groups that frequently seek their return. They further argue that more people can see the treasures if they are proudly displayed in a major museum, as opposed to some poorly funded national museum in a backwater country; evidently, the quantity of viewers is more important than the relevance of the art and artifacts to the viewer.

The arguments of the museum curators fall apart in an instance such as the Elgin Marbles. These majestic marble sculptures, which once graced the Parthenon on the Acropolis in Athens, were stolen by Lord Elgin in the nineteenth century and given to the British Museum, which holds them to this day. The people of Athens have built a beautiful, modern museum on the Acropolis to display the Elgin Marbles and other treasures from the Greek cultural heritage, so there can be no valid argument that the Greeks are unable to house the sculptures properly. Furthermore, more people visit the Acropolis every day than visit the British Museum.

Of the following, the most appropriate title for the passage above would be:

A．The Elgin Marbles: Timeless Symbols of the Glory That Was Greece

B．The Role of Great Museums in the Preservation of Cultural Artifacts

C．Repatriation of Cultural Treasures: The British Museum's Dirty Little Secret

D．The Value of Cultural Treasures in Defining National Identity

E．A Curious Curator: Lord Elgin and the Rise of the British Museum

A．The Summer Palace and then the Yuanmingyuan.

B．The Palace Museum and then the Great Wall.

C．The Summer Palace and then the Great Wall.

D．The Palace Museum and then the Yuanmingyuan.

A．The Summer Palace and then the Yuanmingyuan.

B．Tian'an men Square and then the Palace Museum.

C．The Palace Museum and then the Summer Palace.

D．The Palace Museum and then the Yuanmingyuan.

A、Pushikin Museum of Fine Arts

B、Catherine Palace

C、State Hermitage Museum

D、Winter Palace

A、The Winter Palace

B、Le Louvre

C、The Forbiden City

D、The Buckingham Palace

repatriation, as expressed in the first paragraph？

A．Of seven gold Inca statues sent from the Field Museum in Chicago to the National Archeology Museum in Lima, Peru, four were stolen within six months of being put on display.

B．Mummies taken from the dry heat of Egypt and relocated to the damp climate of London have shown disturbing signs of decay.

C．Operating a first-rate art and archeology museum is financially unfeasible for most developing nations, which face a difficult enough challenge feeding their people.

D．A type of sculpture from central Africa appears dull and nondescript. in a museum setting, but when placed in the region of its origin can clearly be seen to replicate the colors and shapes of local rock formations.

E．British colonists in India in the nineteenth century felt that it was their right to claim the nation's artistic treasures as their own in exchange for importing the benefits of a modern industrial society.

It is the third time I______to the Palace Museum, and I still think it is marvelous.

A．have gone

B．go

C．have been

D．will go

It is the third time I______to the Palace Museum, and I still think it is marvelous.

A．have gone

B．go

C．have been

D．will go