A.David
B.Steerforth
C.Uriah Heep
D.Mr. Wickfield
第1题
From the start, there's something not quite right about TiUyTilly: she seems out of proportion. "Was she too tall and yet too ... small at the same time? Was her neck too long? Her fingers?" At first, she merely echoes Jess's words, but she soon develops into the friend and playmate Jess has never had. Together they have adventures: they manage to break into Jess's grandfather's locked study and then into an amusement park (also locked) where the gates magically swing open.
All too quickly, though, the family returns from exotic Nigeria to prosaic England, where Jess is surrounded once again by bullying schoolmates, a hostile teacher and her hateful, doll-like blond cousin, Dulcie. Then, to Jess's joy, TillyTilly reappears, simply knocking on her door. They play together, go on a picnic, write a poem. But TillyTilly also formulates a plan to "get" Jess's tormentors.
The reader suspects that TillyTilly is one of those imaginary friends so common to lonely childhoods, and that the strange and sinister events are happening only in Jess's imagination. But just as Jess herself begins to doubt whether TillyTilly is "really really" there, her playmate's malevolent magic begins to spread, infecting every comer of Jess's world.
TillyTilly's power, at least, is far from imaginary. She reveals that Jess had a twin who died at birth -- and that she intends to act on that twin's behalf. No longer a girl but a horrific primeval presence, she takes over Jess's bedroom, mining it from a safe haven into a place of terror. "Stop looking to belong, half-and-half child," TillyTilly intones. "Stop. There is nothing; there is only me, and I have caught you."
Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood, writing with the confidence and knowledge of one who has only recently left that state herself. Jess's schoolmates, her therapist, the people she meets in Africa, even her parents, remain suitably shadowy figures, seen solely through the distorting lens of Jess's increasingly skewed perception.
"The Icarus Girl" explores the melding of cultures and the dream time of childhood, as well as the power of ancient lore to tint the everyday experiences of a susceptible little girl's seemingly protected life. Deserving of all its praise, this is a masterly first novel -- and a nightmarish story that will haunt Oyeyemi' s readers for months to come.
Jessamy Harrison is a girl who______.
A.is a native British girl
B.is out of her mind
C.is a born in a poor family
D.has trouble in controlling her temper
第2题
From the start, there's something not quite right about TillyTilly: she seems out of proportion. "Was she too tall and yet too ... small at the same time? Was her neck too long? Her fingers?" At first, she merely echoes Jess's words, but she soon develops into the friend and playmate Jess has never had. Together they have adventures: they manage to break into Jess's grandfather's locked study and then into an amusement park (also locked) where the gates magically swing open.
All too quickly, though, the family returns from exotic Nigeria to prosaic England, where Jess is surrounded once again by bullying schoolmates, a hostile teacher and her hateful, doll-like blond cousin, Dulcie. Then, to Jess's joy, TillyTilly reappears, simply knocking on her door. They play together, go on a picnic, write a poem. But TillyTilly also formulates a plan to "get" Jess's tormentors.
The reader suspects that TillyTilly is one of those imaginary friends so common to lonely childhoods, and that the strange and sinister events are happening only in Jess's imagination. But just as Jess herself begins to doubt whether TillyTilly is "really really" there, her playmate's malevolent magic begins to spread, infecting every corner of Jess's world.
TillyTilly's power, at least, is far from imaginary. She reveals that Jess had a twin who died at birth—and that she intends to act on that twin's behalf. No longer a girl but a horrific primeval presence, she takes over Jess's bedroom, turning it from a safe haven into a place of terror. "Stop looking to belong, half-and-half child," TillyTilly intones. "Stop. There is nothing; there is only me, and I have caught you."
Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood, writing with the confidence and knowledge of one who has only recently left that state herself. Jess's schoolmates, her therapist, the people she meets in Africa, even her parents, remain suitably shadowy figures, seen solely through the distorting lens of Jess's increasingly skewed perception.
"The Icarus Girl" explores the melding of cultures and the dream time of childhood, as well as the power of ancient lore to tint the everyday experiences of a susceptible little girl's seemingly protected life. Deserving of all its praise, this is a masterly first novel—and a nightmarish story that will haunt Oyeyemi's readers for months to come.
Jessamy Harrison is a girl who_____.
A.is a native British girl
B.is out of her mind
C.is a born in a poor family
D.have trouble in controlling her temper
第3题
From the start, there's something not quite right about TillyTilly: she seems out of proportion. "Was she too tall and yet too ... small at the same time? Was her neck too long? Her fingers?” At first, she merely echoes Jess's words, but she soon develops into the friend and playmate Jess has never had. Together they have adventures: they manage to break into Jess's grandfather's locked study and then into an amusement park (also locked) where the gates magically swing open.
All too quickly, though, the family returns from exotic Nigeria to prosaic England, where Jess is surrounded once again by bullying schoolmates, a hostile teacher and her hateful, doll-like blond cousin, Dulcie. Then, to Jess's joy, TillyTilly reappears, simply knocking on her door. They play together, go on a picnic, write a poem. But TillyTilly also formulates a plan to "get" Jess's tormentors.
The reader suspects that TillyTilly is one of those imaginary friends so common to lonely childhoods, and that the strange and sinister events art happening only in Jess's imagination. But just as Jess herself begins to doubt whether TillyTilly is "really really" there, her playmate's malevolent magic begins to spread, infecting every corner of Jess's world.
TillyTilly's power, at least, is far from imaginary. She reveals that Jess had a twin who died at birth — and that she intends to act on that twin's behalf. No longer a girl but a hordfic primeval presence, she takes over Jess's beciroom, turning it from a safe haven into a place of terror. "Stop looking to belong, half-and-half child," TillyTilly intones, "Stop. There is nothing; there is only me, and I have caught you."
Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood, writing with the confidence and knowledge of one who has only recently left that state herself. Jess' s schoolmates, her therapist, the people she meets in Africa, even her parents, remain suitably shadowy figures, seen solely through the distorting lens of Jess's increasingly skewed perception.
"The Icarus Girl" explores the melding of cultures and the dream time of childhood, as well as the power of ancient lore to tint the everyday experiences of a susceptible little girl's seemingly protected life. Deserving of all its praise, this is a masterly first novel — and a nightmarish story that will haunt Oyeyemi's readers for months to come.
Jessamy Harrison is a girl who______.
A.is a native British girl
B.is out of her mind
C.is a born in a poor family
D.has trouble in controlling her temper
第4题
Trust can exist only in relation to something. Consequently, a sense of trust cannot develop until infants are old enough to be aware of objects and persons and to have some feeling that they are separate individuals. At about 3 months of age, babies are likely to smile, if somebody comes close and talks to them. This shows that they are aware of the approach of the other person, that pleasurable sensations are aroused. If, however, the person moves too quickly or speaks too sharply, these babies may look and cry. They will not "trust" the unusual situation but will have a feeling of uneasiness, of mistrust, instead.
Experience connected with feeding are a prime source for the development of trust. At around 4 months of age, a hungry baby will grow quiet and show signs of pleasure at the sound of an approaching footstep, anticipating (trusting) that he or she will be held and fed. This repeated experience of being hungry, seeing food, receiving food, and feeling relieved and comforted assures the baby that the world is a dependable place.
Later experiences, starting at around 5 months of age, add another dimension to the sense of trust. Though endless repetitions of attempts to grasp for and hold objects, most babies are finally successful in controlling and adapting their movements in such a way as to reach their goal. Through these and other feats of muscular coordination, babies are gradually able to trust their own bodies to do their bidding.
Studies of mentally-ill individuals and observations of infants who have been grossly deprived of affection suggest that trust is an early-formed and important element in the healthy personality. Psychiatrists find again and again that the most serious illnesses occur in patients who have been sorely neglected or abused or otherwise deprived of love in infancy. Similarly, it is a common finding of psychological and social investigators that individuals diagnosed as "psychopathic personalities" were so unloved in infancy that they have no reason to trust the human race and therefore, no feeling of responsibility toward their fellow human beings.
What dose "this psychological formulation" (Paragraph 1) refer to?
A.Characteristic flavor.
B.Satisfying experiences.
C.Concrete and diversified experience.
D.Sense of trust.
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