-¿______________estás？ -Estoy en la clase.

The age at which young children begin to make moral discriminations about harmful actions committed against themselves or others has been the focus of recent research into the moral development of children. Until recently, child psychologists supported pioneer developmentalist Jean Piaget in his hypothesis that because of their immaturity, children under age seven do not take into account the intentions of a person committing accidental or deliberate harm, but rather simply assign punishment for offences on the basis of the magnitude of the negative consequences cause.

According to Piaget, children under age seven occupy the first stage of moral development, which is characterized by moral absolutism (rules made by authorities must be obeyed) and imminent justice (if rules are broken, punishment will be meted out). Until young children mature, their moral judgments are based entirely on the effect rather than the cause of an offence. However, in recent research, Keasey found that six-year-old children not only distinguish between accidental and intentional harm, but also judge intentional harm as naughtier, regardless of the amount of damage produced. Both of these findings seem to indicate that children, at an earlier age than Piaget claimed, advance into the second stage of moral development, moral autonomy, in which they accept social rules but view them as more arbitrary than do children in the first stage.

Keasey's research raises two key questions for developmental psychologists about children under age seven: do they recognize justifications for harmful actions, and do they make distinctions between harmful acts that are preventable and those acts that have unforeseen harmful consequences? Studies indicate that justifications excusing harmful actions might include public duty, self-defense, and provocation. For example, Nesdale and Rule concluded that children were capable of considering whether or not an aggressor's actions was justified by public duty: five year olds reacted very differently to "Bonnie wrecks Ann's pretend house" depending on whether Bonnie did it "so somebody won't fall over it" or because Bonnie wanted "to make Anne feel bad." Thus, a child of five begins to understand that certain harmful actions, though intentional, can be justified: the constraints of moral absolutism no longer solely guide their judgments.

Psychologists have determined that during kindergarten children learn to make subtle distinctions involving harm. Darley observed that among acts involving unintentional harm, six-year-old children just entering kindergarten could not differentiate between foreseeable, and thus preventable, harm and unforeseeable harm for which the offender cannot be blamed. Seven months later, however, Darley found that these same children could make both distinctions, thus demonstrating that they had become morally autonomous.

As to the punishment that children under seven are assigned to wrongdoing, Piaget suggests

A．the punishment is to be administered immediately following the offence.

B．the more immature a child, the more severe the punishment assigned.

C．the punishment for acts of intentional harm is less severe than it is for acts involving accidental harm.

D．the severity of the assigned punishment is primarily determined by the perceived magnitude of negative consequences.

Rarely do you get to see a movie that promises a lot and then lives up to its promise. The Kings Speech is a【C1】______piece, indeed. The movie【C2】______ with a stammering speech and signs off with a staggering one, with hardly any faults 【C3】______ . The basic premise of the movie is fairly simple. A king with a stutter is helped by a speech therapist to 【C4】______ his problem and become an 【C5】______ speaker. That sounds like a well known【C6】______ to most movie goers.【C7】______ few minutes into the movie, and you realize that this one is quite touching. It is a very pleasing movie, 【C8】______ leading the audience into a lot of uncomfortable questions. However, the artistry【C9】______ the overall balance of the movie. You slowly start getting【C10】______ by David Seidlers screenplay. The actors are【C11】______, taking it slow and steady with superb grip on each of their characters. Humor comes in here and there, at a very easy 【C12】______and steady pace. Not for a single moment do you【C13】______ the movie as dull. Most of the movie had been filmed 【C14】______, though with eloquent art direction. But the【C15】______sequences shot outside had been filmed very beautifully,【C16】______ a very dreamy picture of the【C17】______ England. Sometimes, the camera goes in too close to the characters, and stays there for a while, just long enough to give us a sense of suffocation, quite an artistic equivalent of a speech disorder! But then again, 【C18】______shades are whitewashed with joyous ones and you never perceive it as a dark movie. This is the kind of movie that you want to give a lot of【C19】______to the director. And Mr. Hooper【C20】______ the bullseye! Perfect balance. All points considered, its a brilliant movie and a must watch.

【C1】

A．normal

B．rare

C．subtle

D．complex

A、a. se elaboró el Programa Común

B、b. nació el Consejo Gubernamental Central de la República Popular China

C、c. proclamó el primero de octubre como el Día Nacional de China

D、

在水位观测中，目测风向方位的记录符号为()。

A、东南SE东北NE西南SW西北NW

B、东南ES东北EN西南SW西北NW

C、东南SE东北NE西南WS西北WN

D、东北EN西北WN东南SE西南SW

A、superior nasal meatuses

B、middle nasal meatuses

C、inferior nasal meatuses

D、sphenoethmoidal recesses

E、nasolacrimal ducts

英译汉：These single parents must care for the children’s emotional and psychological needs while also supporting them financially.