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[主观题]

In poetic lines “Not one of all the purple host/ Who took the flag today/ Can tell the def

inition,/ So clearly, of victory.”from Emily Dickinson’s poem Success Is Counted Sweetest, the phrase “the purple host” means:

A.the defeated army

B.the loser

C.the victorious army

D.the King

答案
C
更多“In poetic lines “Not one of all the purple host/ Who took the flag today/ Can tell the def”相关的问题

第1题

Author______Title______ Not one of all the purple host Who took the flag today Can tell the definition, So clearly, of victory.

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第2题

听力原文: Researchers do not know why people think some colours are warm and other colours are cool. However, almost everyone agrees that red, orange, and yellow are warm and that green, blue, and violet are cool. Perhaps warm colours remind people of warm days and cool colours remind them of cool days. Because in the north the sun is low during the winter, the sunlight appears quite blue. Because the sun is higher during the summer, the hot summer sunlight appears yellow.

People associate colours with different holidays. For example, red is associated with Valentine's Day. On February 14th, Americans send red hearts to people they love. People associate orange with Halloween in October and Thanksgiving Day in November. On October 31 st, many Americans put large orange pumpkins in their windows for Halloween. Many people wear green on St. Patrick's Day, March 17th. Violet is a dignified colour which is associated with Easter. On Easter Sunday, people decorate baskets with purple ribbons.

Many expressions in English use colours. These expressions show how people feel about the colours. For example, people associate red with a strong feeling like anger. When someone is very angry, people say that he or she sees red. Red is an active colour. A red-letter day is a lucky day. When criminals are caught in the middle of a crime, people say that they are caught red-handed. Green is the colour of grass and leaves. When someone grows plants well, people say he or she has green fingers. Blue is a sad, thoughtful colour. When someone is very sad, people say he or she is feeling blue. Blues is a kind of jazz that is usually very sad and slow.

(33)

A.A warm colour is a colour that is often used in restaurants.

B.A warm colour is a colour that gives off heat.

C.A warm colour is a colour near the red end of the light spectrum.

D.A warm colour is a colour that makes people feel upset.

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第3题

SECTION B ENGLISH TO CHINESE

Directions: Translate the following text into Chinese.

On each side of a bright river he saw rise a line of brighter palaces, arched and pillared, and inlaid with deep red porphyry, and with serpentine; along the quays before their gates were riding troops of knights, noble in face and form, dazzling in crest and shield; horse and man one labyrinth of quaint color and gleaming light -- the purple, and silver, and scarlet fringes flowing over the strong limbs and clashing mail, like sea-waves over rock at sunset. Opening on each side from the river were gardens, courts, and cloisters; long successions of white pillars among wreaths of vine, leaping of fountains through buds of pomegranate and orange; and still a- long the garden-paths, and under and through the crimson of the pomegranate shadows, moving slowly, groups of the fairest women that Italy ever saw--fairest, because purest and most thoughtful; trained in all high knowledge, as in all courteous art--in dance, in song, in sweet wit, in lofty learning, in loftier courage, in loftiest love--able alike to cheer, to enchant, or save the souls of mere

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第4题

The table before which we sit may be, as the scientist maintains, composed of dancing atoms, but it does not reveal itself to us as anything of the kind, and it is not with dancing atoms but a solid and motionless object that we live.

So remote is this "real" table—and most of the other "realities" with which science deals—that it cannot be discussed in terms which have any human value, and though it may receive out purely intellectual credence it cannot be woven into the pattern of life as it is led, in contradistinction to life as we attempt to think about it. Vibrations in the either are so totally unlike, let us say, the color purple that the gulf between them cannot be bridged, and they are, to all intents and purposes, not one but two separate things of which the second and less "real" must be the most significant for us. And just as the sensation which has led us to attribute an objective reality to a non-existent thing which we call "purple" is more important for human life than the conception of vibrations of a certain frequency, so too the belief in God, however ill founded, has been more important in the life of man than the germ theory of decay, however true the latter may be.

We may, if we like, speak of consequence, as certain mystics love to do, of the different levels or orders of truth. We may adopt what is essentially a Platonist trick of thought and insist upon postulating the existence of external realities which correspond to the needs and modes of human feeling and which, so we may insist, have their being is some part of the universe unreachable by science. But to do so is to make an unwarrantable assumption and to be guilty of the metaphysical fallacy of failing to distinguish between a truth of feeling and that other sort of truth which is described as a "truth of correspondence," and it is better perhaps, at least for those of us who have grown up in an age of scientific thought, to steer clear of such confusions and to rest content with the admission that, though the universe with which science deals is the real universe, yet we do not and cannot have any but fleeting and imperfect contacts with it; that the most important part of our lives-our sensations, emotions, desires, and aspirations-takes place in a universe of illusions which science can attenuate or destroy, but which it is powerless to enrich.

According to this passage, a scientist would conceive of a "table" as being______.

A.a solid motionless object

B.certain characteristic vibrations in "ether"

C.a form. fixed in space and time

D.a mass of atoms on motion

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