Yellow Fever
It is clear that to many people in the US the idea of a group of foreign musicians undertaking a concert tour of their country just now is the height of folly. Since we happened to be singing in New York City on the day American forces first entered Baghdad, it was assumed by many in the audience that we had done a very courageous thing, and we were applauded all the more for our perceived bravery. I wondered if everyone hadn't gone stark raving honkers (发疯); but, however mindless the gut reactions seem to us to he, part of what people have been telling us is true: musicians have been canceling tours, tensions have been running high against nationals of some European countries, and Americans from rural places hesitate to travel to cities like NYC for fear of terrorist attack.
I am not exaggerating. It comes as no surprise to learn that Americans will hot travel abroad at times like this; ever since Reagan bombed Libya in 1983, every arts organization that I have known has feared times of US aggression overseas, knowing that half their subscribers would not attend. But for Americans to extend that principle willy-nilly (无可奈何地) to foreigners coming to the US, and even to traveling around their own country, betrays a lack of grip which seems extreme almost to the point of caricature. A woman I was due to meet in New York cancelled the interview because although she hadn't "been in Manhattan since the war broke out, I've heard it's tense there" For her, Philadelphia was a more satisfactory place to meet because "I was just there last Monday, and the city seemed relatively peaceful."
The nastiest side of the story, as usual, is the xenophobic(恐惧外国人的) side. After giving a concert which consisted entirely of Flemish music, one of the organizers thanked me for not having chosen any German or French compositions. I asked why, and was told that it would have been much harder to sell tickets. "And Flemish is all right?" I asked. "Oh yes," he said, "no one has anything against the Flemish." "Even though," I pursued, fascinated, "Flanders is part of Belgium and the Belgians, along with the Germans and French, refused to back NATO protection for Turkey?" He did not know that Flanders was part of Belgium.
More serious was the incident of the French cello. Apparently, Yo-Yo Ma recently left his priceless cello in the back of a New York taxi and got it back as a result of a televised appeal: the taxi-driver saw the programme and turned it in. The other day a French string quartet was taking part in a festival of French music here (called "Sounds French"—the timing couldn't have been worse but the promoters went ahead anyway) and the cellist duly left his instrument in the back of a New York taxi.
The same procedure was followed as for Yo-Yo Ma, which involved giving out the mobile number of the owner. Ever since he has been inundated with hate calls. And history does not relate whether he got his cello back.
One of the reasons why we are basking in false glory at the moment is that our European colleagues have indeed taken flight and refused to tour. The highest-profile example in my world is Hesperion XXI with Jordi Savall. On the website of their agent is this announcement, under the banner "Hesperion XXI Cancels Tour because of War":
True terrorism has its hold when professionals change plans due to fear. The re-percussions [sic-remember he is a music agent] then affect all the presenters whose organizations suffer financially and the hundreds of audience members who had looked forward to the concerts. This is what has happened with Hesperion XXI when a number of its key members refused to take part in an extensive North American tour partly due to uncertainties of the war and not wanting to be apart from loved ones and the perceived terror threats in traveling around the US.
Quite apart from what the Americans deserve, these people do not deserve t
A.the majority of musicians have been infected with "yellow fever"
B.the fear of yellow fever has made many musicians dare not visit America
C.the fear of terrorists is infectious among people just like the disease yellow fever
D.Americans fear foreigners under the threat of terrorist attack
第3题
片剂含量测定时,经片重差异检查合格后,再将所取片剂研细,混匀,供分析用,一般片剂应取
A.5片
B.10片
C.15片
D.20片
E.30片
第6题
A.凡检查溶出度的片剂不进行崩解时限检查
B.凡检查均匀度的片剂不进行片重差异检查
C.糖衣片应在包衣前检查片重差异
D.肠溶衣片在人工胃液中不崩解
E.糖衣片包衣后应进行片重差异检查
第8题
按照规定的称量方法测定片剂每片的重量与平均片重之间的差异程度,一般称为
A.片重检查
B.片重测定
C.片重均匀性检查
D.片重控制
E.片重差异
第9题
按照规定的称量方法测定片剂每片的重量与平均片重之间的差异程度,一般称为
A.片重检查
B.片重测定
C.片重均匀性检查
D.片重控制
E.片重差异
第10题
A.片重0.1g,重量差异限度是±5%
B.片重0.2g,重量差异限度是±7.5%
C.片重0.3g,重量差异限度是±7.5%
D.片重0.4g,重量差异限度是±7.5%
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