Leacock enjoyed a reputation for eccentricity and for an impish individualism that expressed itself in blunt speech on every subject. Naturally we looked him over carefully.
What we saw was a shock of graying hair crowning a rugged face that wore a friendly smile, emphasized by crinkles of mirth about the eyes. I remember thinking, "He could use a haircut." His necktie had slipped its moorings, and his tweedy suit looked slept-in. Across his vest his watch chain had come apart in the middle and had been put together with a safety pin. The effect was of a man who gave no thought to his appearance. But his manner was far too buoyant to suggest the absent-minded professor.
His apparel was topped by one of those loose, black gowns professors wore in those days. Leacoek's had been acquired about the time he received his Ph. D. from the University of Chicago in 1903. Even though the garment was showing signs of wear in 1914, it was still one of the essential properties of his play-acting. At least a dozen times during every lecture it would slip off his shoulders and seize him by the crook of his elbows. Without pause in the flow of talk and motion—he was a walking lecturer— great shrug of the shoulders would hoist the gown part way into place.
Leacock was tremendously proud of his Chicago Ph. D. , but it was inescapably in character that he must spoof it. "The meaning of this degree," he quipped in a lecture, "is that the recipient has been examined for the last time in his life and pronounced full. After this, no new ideas can be imparted to him."
In similar vein, after returning from a holiday abroad he told his class, "I was sitting quietly in my cabin when a steward knocked and, after making sure I am called Doctor, asked if I would come and look at the stewardesses knee. I was off like a shot, but another fellow got there ahead of me. He was a Doctor of Divinity."
What came through to me, even in the first lecture, was Leacock' s warmth and humanness. I knew I was listening to a man who loved young people and was determined to give them as much wisdom as he could. His teaching methods were unconventional. He couldn't resist the temptation to explore bypaths. In discussing the days of Queen Victoria, he mentioned Disraeli, and this set him off to talk about the man rather than the Prime Minister—his way of living, his quick mind, his dilettantism, his great love affair with his wife. The digression lifted the great statesman into a framework of his own and, when Leacock returned to the main line of his subject, the listener understood, in a way no textbook could inform. him, how such a man could bring off the coup which gave Britain control of the Suez Canal and made the Empire impregnable for decades to come.
The student were eager to see Leacock because he was ______.
A.an eccentric character
B.an unconventional teacher
C.a renowned political scientist
D.all of the above
第1题
有关“书写处方药品剂量与数量”的叙述中,最正确的是
A、按照药品说明书
B、以阿拉伯数字书写
C、以罗马数字书写药品用量
D、不能超过药品说明书中的用量
E、书写药品用量必须使用统一单位
第2题
A.按照药品说明书所述内容书写
B.以阿拉伯数字书写
C.以罗马数字书写药品用量
D.不能超过药品说明书中所述的用量
E.书写药名剂量必须使用统一单位
第3题
A.以罗马数字书写药品剂量
B.按照药品说明书用量
C.书写药品用量必须使用统一单位
D.以阿拉伯数字书写药品剂量
E.超剂量用药不能超过药品说明书中的用量
第4题
A.按照药品说明书用量
B.书写药品用量必须使用统一单位
C.以罗马数字书写药品剂量
D.以阿拉伯数字书写药品剂量
E.超剂量用药不能超过药品说明书中的用量
第5题
关于处方书写规则,不正确的是
A.处方书写使用药品通用名称、新活性化合物的专利药品名称和复方制剂药品名称
B.书写处方时,除特殊情况,应当注明临床诊断。开具处方后的空白处画一斜线以示处方完毕
C.药品用法用量应当按照药品说明书规定的常规用法用量使用,特殊情况下可以超剂量书写
D.书写药品名称、剂量、规格、用法、用量要准确规范,药品用法可用规范的中文、英文、拉丁文或者缩写体书写
E.药品剂量与数量用阿拉伯数字书写,剂量应当使用法定剂量单位
第6题
以下有关处方书写的要求中,最正确的是
A.不得超过5种药品
B.不得超过三日用量
C.字迹清楚,不得涂改
D.医师、药师不得使用药品缩写名称
第7题
以下有关对处方书写要求的叙述中,最正确的是
A.不得超过5种药品
B.不得超过3日用量
C.字迹清楚,不得涂改
D.不得使用药品缩写名称
E.每张处方不得<限于一名患者用药
第8题
以下“处方书写要求”中,最正确的是
A.药品不得超过5种
B.用量不得超过3日
C.字迹清楚,不得涂改
D.不得使用药品缩写名称
E.中西药不得合开一张处方
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