After 1785, the production of children's books in the Untied States increased butremained

After 1785, the production of children's books in the Untied States increased but

remained largely reprints of British books, often those published by John Newbery, the

first publisher to produce books aimed primarily at diverting a child audience. Ultimately,

however, it was not the cheerful, commercial-minded Newhery, but Anglo-Irish author

5 Maria Edgeworth who had the strongest influence on this period of American children's

literature. The eighteenth century had seen a gradual shift away from the spiritual intensity

of earlier American religious writings for children, toward a more generalized moralism.

Newbery notwithstanding, Americans still looked on children's books as vehicles for

instruction, not amusement, though they would accept a moderate amount of fictional

10 entertainment for the sake of more successful instruction. As the children's book market

expanded, then, what both public and publishers wanted was the kind of fiction Maria

Edgeworth wrote: stories interesting enough to attract children and morally instructive

enough to allay adult distrust of fiction,

American reaction against imported books for children set in after the War of 1812

15 with the British. A wave of nationalism permeated everything, and the self-conscious new

nation found foreign writings (particularly those from the British monarchy) unsuitable for

the children of a democratic republic, a slate of self-governing, equal citizens. Publishers

of children's books began to encourage American writers to write for American children.

When they responded, the pattern established by Maria Edgeworth was at hand, attractive

20 to most of them for both its rationalism and its high moral tone. Early in the 1820's,

stories of willful children learning to obey, of careless children learning to take care,

of selfish children learning to "tire for others," started to flow from American presses,

successfully achieving Edgeworth's tone, though rarely her lively style. Imitative as

they were, these early American stories wee quite distinguishable from their British

25 counterparts. Few servants appeared in them, and if class distinctions had by no means

disappeared, there was much democratic insistence on the worthiness of every level of

birth and work. The characters of children in this fiction were serious, conscientious.

self-reflective, and independent-testimony to the continuing influence of the earlier

American moralistic tradition in children's books.

What does the passage mainly discuss？

A．The career of Maria Edgeworth as an author of children's books

B．The development of children's literature in the United States

C．Successful publishers of children's books in Britain and North America

D．Basic differences between British and American literature for children