Between about 1920 to 1930, new artistic【M1】______movements in European art were making th

Between about 1920 to 1930, new artistic movements in European 【M1】______

art were making themselves felt in the United States. American

artists become acquainted with the new art on their trips to Paris and

at the exhibitions in the famous New York gallery 291 (named with 【M2】______

its address on Fifth Avenue) of the photographer Alfred Stieglitz.

But most important in the spread of the modem movement in the

United States was the sensational Armory Show, in which the work of 【M3】______

many of the leading European artists were seen along with that of a

number of progressive American painters. Several of the American

modernists who were influenced by the Armory Show found the

urban landscapes, especially New York, an appealing subject.

Comparing with the realist painters, the American modernists were much

removed from the actual appearance of the city. However, both the

painters of the Ash Can School and the latter realists were still tied 【M4】______

to 19th century or earlier styles, while the early modernists shared

with the international breakthroughs of the art of the 20th century. 【M5】______

Cubism brought about a minor revolution in Western painting, 【M6】______

which overturned the rational tradition that was built upon since the【M7】______

Renaissance. In Cubism, natural forms were broken down analytical 【M8】______

into geometric shapes.

No longer a clear differentiation made between the figure and 【M9】______

the background of painting: the objects rep-resented and the surface

on which they were painted be-came one. The Cubists abandoned

the conventional single vantage point of the viewer, and objects

depicting from multiple viewpoints were shown at the same time. 【M10】______

【M1】

In using the word “understandable” (line 14), the author most clearly conveys______

A．sympathy with attempts by the Brotherhood between 1925 and 1935 to establish an independent union.

B．concern that the obstacles faced by Randolph between 1925 and 1935 were indeed formidable

C．ambivalence about the significance of unions to most Black workers in the 1920’s.

D．appreciation of the attitude of many Black workers in the 1920’s toward unions.

E．regret at the historical attitude of unions toward Black workers.

A．They have as much literary importance as the books written by Emerson, Thoreau, and Adams.

B．They are good examples of the effects industry and business had on the literature of the United States.

C．They contributed to the weakening of traditional values.

D．They are worth reading as sources of knowledge about the impact of railroads on life in the United States.

Between about 1920 to 1930, new artistic move- 【M1】 ________.

ments in European art were making themselves

felt in the United States. American artists

become acquainted with the new art on their

trips to Paris and at the exhibitions in

the famous New York gallery 291 (named with 【M2】 ________.

its address on Fifth Avenue) of the photographer

Alfred Stieglitz. But most important in the

spread of the modem movement in the United

States was the sensational Armory Show, in

which the work of many of the leading Euro- 【M3】 ________.

peen artists were seen along with that of a

number of progressive American painters.

Several of the American modernists who

were influenced by the Armory Show found

the urban landscapes, especially New York,

an appealing subject. Comparing with the

realist painters, the American modernists

were much removed from the actual appearance

of the city. However, both the painters of the

Ash Can School and the latter realists were 【M4】 ________.

still tied to 19th century or earlier styles,

while the early modernists shared with the 【M5】 ________.

international breakthroughs of the art of

the 20th century.

Cubism brought about a minor revolution in 【M6】 ________.

Western painting, which overturned the rational

tradition that was built upon since the Renaissance. 【M7】 ________.

In Cubism, natural forms were broken down

analytical into geometric shapes. 【M8】 ________.

No longer a clear differentiation made between 【M9】 ________.

the figure and the background of painting:

the objects rep-resented and the surface

on which they were painted be-came one. The

Cubists abandoned the conventional single

vantage point of the viewer, and objects

depicting from multiple viewpoints were

shown at the same time. 【M10】 ________.

【M1】

1.In the late 1920’s, propeller airplanes began to fly at speeds of more than 100 miles an hour.

2.When the wheel was invented over a thousand year ago, man learned that it was possible to travel faster on wheels than on foot.

3.With the invention of the steam engine about two hundred years ago, man began to travel at what was called “dangererous” speeds of between 20 to 30 miles an hour.

4.Man has learned to travel faster and faster throughout history.

5.About 50 years ago, man began to travel in commercial jet planes at speeds about 500 miles an hour.

6.The gasoline engines that were used between 1900 and 1920 developed speeds up to 60 miles an hour.

A.4 3 2 1 6 5

B.3 2 4 6 1 5

C.4 2 3 6 1 5

D.4 3 2 6 1 5

Between about 1920 to 1930, new artistic move- 【M1】 ________.

ments in European art were making themselves

felt in the United States. American artists

become acquainted with the new art on their

trips to Paris and at the exhibitions in

the famous New York gallery 291 (named with 【M2】 ________.

its address on Fifth Avenue) of the photographer

Alfred Stieglitz. But most important in the

spread of the modem movement in the United

States was the sensational Armory Show, in

which the work of many of the leading Euro- 【M3】 ________.

peen artists were seen along with that of a

number of progressive American painters.

Several of the American modernists who

were influenced by the Armory Show found

the urban landscapes, especially New York,

an appealing subject. Comparing with the

realist painters, the American modernists

were much removed from the actual appearance

of the city. However, both the painters of the

Ash Can School and the latter realists were 【M4】 ________.

still tied to 19th century or earlier styles,

while the early modernists shared with the 【M5】 ________.

international breakthroughs of the art of

the 20th century.

Cubism brought about a minor revolution in 【M6】 ________.

Western painting, which overturned the rational

tradition that was built upon since the Renaissance. 【M7】 ________.

In Cubism, natural forms were broken down

analytical into geometric shapes. 【M8】 ________.

No longer a clear differentiation made between 【M9】 ________.

the figure and the background of painting:

the objects rep-resented and the surface

on which they were painted be-came one. The

Cubists abandoned the conventional single

vantage point of the viewer, and objects

depicting from multiple viewpoints were

shown at the same time. 【M10】 ________.

【M1】

The resolution of full high definition television (Full HD) is 1920×1080 and the frame rate is 60 Hz. For each pixel, the quantization levels of different color samplings (R, G, B) are all set to 4096. Then, the number of bits per second and the minimum bandwidth required to transmit this video signals are about T and W (Hz), respectively, where the channel SNR=30(dB). Hint: C=W*log2(1+SNR).

A、T=300M, W=30M

B、T=3000M, W=1000M

C、T=3000M, W=300M

D、T=1000M, W=300M

A.among

B.between

C.in

D.with

What is the irony about the debate over immigration？

A．Even economists can't reach a consensus about its impact.

B．Those who are opposed to it turn out to benefit most from it.

C．People are making too big a fuss about something of small impact.

D．There is no essential difference between seemingly opposite opinions.

movements in European art were making themselves

felt in the United States. American artists

become acquainted with the new art on their

trips to Paris and at the exhibitions in

the famous New York gallery 291 (named with 【M2】______

its address on Fifth Avenue) of the photographer

Alfred Stieglitz. But most important in the

spread of the modern movement in the United

States was the sensational Armory Show, in

which the work of many of the leading European 【M3】______

artists were seen along with that of a

number of progressive American painters.

Several of the American modernists who

were influenced by the Armory Show found

the urban landscapes, especially New York,

an appealing subject. Comparing with the

realist painters, the American modernists

were much removed from the actual appearance

of the city. However, both the painters of the

Ash Can School and the latter realists were 【M4】______

still fled to 19th century or earlier styles,

while the early modernists shared with the 【M5】______

international breakthroughs of the art of

the 20th century.

Cubism brought about a minor revolution in 【M6】______

Western painting, which overturned the rational

tradition that was built upon since the Renaissance. 【M7】______

In Cubism, natural forms were broken down

analytical into geometric shapes. 【M8】______

No longer a clear differentiation made between 【M9】______

the figure and the background of painting:

the objects rep-resented and the surface

on which they were painted be-came one.

The Cubists abandoned the conventional

single vantage point of the viewer,

and objects depicting from multiple viewpoints were 【M10】______

shown at the same time.

【M1】